Book Chapters

• “Three Forms of Appropriation: Carrie Mae Weems, Glenn Ligon, and Nao Bustamante” in A Companion to Contemporary Art in a Global Framework (Wiley and Sons: 2024)

• “Transforming the Facade: Black American Artists at the US Pavilion of the Venice Biennale, 1930-2022” in The Routledge Companion to African Diaspora Art History (Taylor and Francis: forthcoming 2025)

Criticism / Artist Profiles

• “Winfred Rembert at Hauser and Wirth,” Artforum, July 2024

• “TV on Stage,” X-TRA Online, December 2023

• “Ahorita! at Charlie James Gallery,” Artforum, July 2023

• “Touching, Pinching, Caring: An Interview with Ruth van Beek,” SPOT Magazine, Houston Center for Photography, (Fall 2019).

• “Facing the Condemned: Lucky Pierre Collective Brings its Final Meals to Texas,” Sightlines Mag, June 21, 2018

• “Bucky Miller and the Toad,” Sightlines Mag, April 24, 2018

• “History as Artistic Medium: Rodney McMillian at the Contemporary Austin,” Sightlines Mag, February 19, 2018

Exhibition Catalogues

• “Some Facts, Notes, and Statements” in Thunderstruck, (Portland OR: Thunderstruck, 2019).

• Neon Queen Collective, María Magdalena Campos-Pons, September 2018

• “Curator’s Essay,” Emancipating the Past: Kara Walker’s Tales of Slavery and Power, Jordan Schnitzer Family Foundation, September 2013

• Introduction and “Interview with Shana Hoehn, Yue Nakayama, and Felipe Steinberg,” in I Think We Meet Here, Visual Arts Center, University of Texas at Austin, January 2018

• “The Ghostliness of Painting and the Paperiness of Ghosts,” in A Glimpse and a Glance on the Ice Rink, limited edition Sonnenzimmer publication for “Anthony Creeden: Cacti and Semaphore” at grayduck gallery, Austin, TX, January 2018

• “The Contemporary Crochet of Jo Hamilton,” co-authored with June Koehler, Contemporary Oregon Visions, Jordan Schnitzer Museum of Art, April 2014.

Academic Journals

• "Exhibition Review: The Power of Gold: Asante Royal Regalia from Ghana,” in African Arts 52, no. 2, (Summer 2019).

• "Exhibition Review: Arts of Africa Gallery, Dallas Museum of Art” in African Arts 51, no. 1 (Spring 2018), 92-95